Last posts on strindberg
2024-03-28T11:22:24+01:00
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Fabien Rothey
http://fabienrothey.hautetfort.com/about.html
August Strindberg. L’Exposition d’Edward Munch
tag:fabienrothey.hautetfort.com,2014-04-30:5358675
2014-04-30T03:18:00+02:00
2014-04-30T03:18:00+02:00
Jalousie, 1895 Normal 0 21...
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QFormat="true" Name="TOC Heading"/> </w:LatentStyles></xml><![endif]--><!--[if gte mso 10]><style> /* Style Definitions */ table.MsoNormalTable{mso-style-name:"Table Normal";mso-tstyle-rowband-size:0;mso-tstyle-colband-size:0;mso-style-noshow:yes;mso-style-priority:99;mso-style-parent:"";mso-padding-alt:0cm 5.4pt 0cm 5.4pt;mso-para-margin-top:0cm;mso-para-margin-right:0cm;mso-para-margin-bottom:10.0pt;mso-para-margin-left:0cm;line-height:115%;mso-pagination:widow-orphan;font-size:11.0pt;font-family:"Calibri","sans-serif";mso-ascii-font-family:Calibri;mso-ascii-theme-font:minor-latin;mso-hansi-font-family:Calibri;mso-hansi-theme-font:minor-latin;mso-bidi-font-family:"Times New Roman";mso-bidi-theme-font:minor-bidi;mso-fareast-language:EN-US;}</style><![endif]--> </span></p><h1 style="text-align: center;" align="center"><span style="font-family: arial,helvetica,sans-serif; font-size: large; color: #000000;">L’Exposition d’Edward Munch</span></h1><p class="MsoNormal" style="line-height: normal;"><span style="font-family: arial,helvetica,sans-serif; font-size: small; color: #000000;"> </span></p><p class="MsoNormal" style="text-align: right; line-height: normal;" align="right"><span style="font-family: arial,helvetica,sans-serif; font-size: small; color: #000000;">Quelque incompréhensibles que soient vos paroles, elles ont des charmes.</span></p><p class="MsoNormal" style="text-align: right; line-height: normal;" align="right"><span style="font-family: arial,helvetica,sans-serif; font-size: small; color: #000000;">Balzac, <em>Séraphita</em>.</span></p><p class="MsoNormal" style="line-height: normal;"><span style="font-family: arial,helvetica,sans-serif; font-size: small; color: #000000;"> </span></p><p class="MsoNormal" style="text-align: justify; line-height: normal;"><span style="font-family: arial,helvetica,sans-serif; font-size: small; color: #000000;">Edward Munch, trente-deux ans, le peintre ésotérique de l’amour, de la jalousie, de la mort et de la tristesse, a souvent été l’objet des malentendus prémédités du critique-bourreau, qui fait son métier impersonnellement et à tant par tête comme le bourreau.</span></p><p class="MsoNorma
L'autre jour
http://lautrejour.hautetfort.com/about.html
Marie, mon ciel ! (16)
tag:lautrejour.hautetfort.com,2012-10-13:4861690
2012-10-13T21:45:00+02:00
2012-10-13T21:45:00+02:00
L'autre jour, j'ai publié sur L'Autre Jour cette photo, sans commentaire....
<p style="text-align: center;"><img id="media-3789699" style="margin: 0.7em 0;" title="" src="http://lautrejour.hautetfort.com/media/00/02/3792948251.jpg" alt="san francesco,venise,strindberg,institut suédois,nuages" /></p><p style="text-align: left;">L'autre jour, j'ai publié sur L'Autre Jour cette photo, sans commentaire.</p><p style="text-align: left;">Depuis, par un genre de <em>sérendipité</em> – jolie importation nouvellement entrée dans le Robert, paraît-il - j'ai trouvé sans le chercher un texte pour l'illustrer. Car oui, dans ce blog, un texte peut illustrer une image, plutôt que l'inverse.</p><p style="text-align: center;"><img id="media-3789684" style="margin: 0.7em 0;" title="" src="http://lautrejour.hautetfort.com/media/01/02/2591111860.jpg" alt="san francesco,venise,strindberg,institut suédois,nuages" /></p><p style="text-align: left;">C'était dans une expo sur l'image d'August Strindberg, à l'<a title="Institut suédois" href="http://www.si.se/Paris/Francais/" target="_blank"><strong>Institut suédois</strong></a> de Paris. S'il y a des amateurs, dépêchez-vous, car elle se termine demain (je suis brave, pour une fois je vous en parle avant la fin).</p><p style="text-align: left;">Ce texte de Strindberg accompagnait une photo, également de lui, intitulée <em>Étude de nuage</em> :</p><p style="padding-left: 30px; text-align: center;">« Hier soir le soleil s'est couché derrière les bancs de nuages, <br />mais sans en être caché, idem pour la nouvelle lune. <br />Peut-être les nuages ne se laisseront-ils pas photographier<br /> comme des mirages ? Dans ce cas, ne seraient-ils plus des nuages,<br /> mais des phénomènes [Erscheinungen], des réflexions dans l'éther ? »</p><p style="text-align: center;"><img id="media-3789685" style="margin: 0.7em 0;" title="" src="http://lautrejour.hautetfort.com/media/02/01/3345226415.jpg" alt="san francesco,venise,strindberg,institut suédois,nuages" /></p><p style="text-align: left;">Un panneau explicatif indiquait :</p><p style="text-align: left;">« Strindberg s'intéressa particulièrement à la photographie des nuages, dont il croyait reconnaître à Stockholm des formations qu'il avait observées en Suisse ou en Autriche. Peut-être était-ce des "mirages", des "phénomènes". »</p><p style="text-align: center;"><img id="media-3789690" style="margin: 0.7em 0;" title="" src="http://lautrejour.hautetfort.com/media/01/00/700784409.jpg" alt="san francesco,venise,strindberg,institut suédois,nuages" /></p><p style="text-align: left;">Je n'ai pris ma photo ni en Suède, ni en Suisse, ni en Autriche. Mais c'était peut-être une formation observée par Strindberg ?...</p><p style="text-align: center;"><img id="media-3789697" style="margin: 0.7em 0;" title="" src="http://lautrejour.hautetfort.com/media/01/00/4269226086.jpg" alt="san francesco,venise,strindberg,institut suédois,nuages" /></p>
daniel cunin
http://flandres-hollande.hautetfort.com/about.html
Deshima – hors série n° 2
tag:flandres-hollande.hautetfort.com,2012-05-15:4717480
2012-05-15T22:47:41+02:00
2012-05-15T22:47:41+02:00
Strindberg et la ville / The cities of Strindberg Actes...
<p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;"><span style="font-size: 16.0pt; mso-bidi-font-size: 12.0pt; font-family: Garamond; mso-ansi-language: EN-GB;" lang="EN-GB"><br /></span></p><p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;"><strong><span style="font-size: 16pt; font-family: Garamond; color: #000000;" lang="EN-GB">Strindberg et la ville / The cities of Strindberg</span></strong></p><p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;"><span style="font-size: 16pt; font-family: Garamond; color: #000000;" lang="EN-GB"> </span></p><p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;"><span style="font-size: 16pt; font-family: Garamond; color: #666699;" lang="EN-GB">Actes du XVII<sup>e</sup> colloque international August Strindberg, Université de Strasbourg, 3-5 juin 2010</span></p><p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;"><span style="font-size: 16pt; font-family: Garamond; color: #000000;" lang="EN-GB"> </span></p><p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;"><span style="font-size: 16pt; font-family: Garamond; color: #000000;" lang="EN-GB">Textes réunis par Elena Balzamo & Sylvain Briens</span></p><p class="MsoNormal" style="margin-bottom: .0001pt;"><span style="font-size: 16.0pt; mso-bidi-font-size: 12.0pt; font-family: Garamond; mso-ansi-language: EN-GB;" lang="EN-GB"><br /></span></p><p style="text-align: center;"><img id="media-3583806" style="margin: 0.7em 0;" title="" src="http://flandres-hollande.hautetfort.com/media/00/00/4086130134.jpg" alt="Deshima2012HS.jpg" /></p><p class="MsoNormal" style="margin-bottom: .0001pt;"> </p><p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;"><span style="color: #000000; font-size: large; font-family: 'book antiqua', palatino;" lang="EN-GB"><strong>Sommaire</strong></span></p><p class="MsoNormal" style="margin-bottom: .0001pt;"> </p><p class="MsoNormal" style="margin-bottom: .0001pt;"><span style="color: #000000; font-size: large; font-family: 'book antiqua', palatino;" lang="EN-GB"><strong><span style="color: #666699;">Entre la ville et la campagne</span></strong></span></p><p class="MsoNormal" style="margin-bottom: .0001pt;"><span style="color: #000000; font-size: large; font-family: 'book antiqua', palatino;" lang="EN-GB">Elena Balzamo : Les villes épistolaires de Strindberg</span></p><p class="MsoNormal" style="margin-bottom: .0001pt;"><span style="color: #000000; font-size: large; font-family: 'book antiqua', palatino;" lang="EN-GB">Barbara Lide: “<em>Undrar fortfarande varför jag som stadshatare skall bo i stad</em>.” Strindberg in Berlin</span></p><p class="MsoNormal" style="margin-bottom: .0001pt;"><span style="color: #000000; font-size: large; font-family: 'book antiqua', palatino;" lang="EN-GB"><strong><span style="color: #666699;"><br /></span></strong></span></p><p class="MsoNormal" style="margin-bottom: .0001pt;"><span style="color: #000000; font-size: large; font-family: 'book antiqua', palatino;" lang="EN-GB"><strong><span style="color: #666699;">Ville visible et invisible</span></strong></span></p><p class="MsoNormal" style="margin-bottom: .0001pt;"><span style="color: #000000; font-size: large; font-family: 'book antiqua', palatino;" lang="EN-GB">Massimo Ciaravolo : Stockholm-Paris: Interaction as Structure in <em>Sleepwalking Nights on Wide-awake Days</em></span> </p><p class="MsoNormal" style="margin-bottom: .0001pt;"><span style="color: #000000; font-size: large; font-family: 'book antiqua', palatino;" lang="EN-GB">Anita Persson : Walking with August Strindberg. Reading the city</span></p><p class="MsoNormal" style="margin-bottom: .0001pt;"> </p><p class="MsoNormal" style="margin-bottom: .0001pt;"><span style="color: #000000; font-size: large; font-family: 'book antiqua', palatino;" lang="EN-GB"><span style="color: #666699;"><strong>Ville sensible</strong></span></span></p><p class="MsoNormal" style="margin-bottom: .0001pt;"><span style="font-family: 'book antiqua', palatino; font-size: large; color: #000000;">Jan Balbierz : Men on the Edge of Nervous Breakdown. Some Remarks on Strindberg, Hamsun, Medicine and the City</span> </p><p class="MsoNormal" style="margin-bottom: .0001pt;"><span style="color: #000000; font-size: large; font-family: 'book antiqua', palatino;" lang="EN-GB">Franco Perrelli : <em>Ensam</em>: the Narrator, the Town and an Adventure of Perception</span></p><p class="MsoNormal" style="margin-bottom: .0001pt;"> </p><p class="MsoNormal" style="margin-bottom: .0001pt;"><span style="color: #000000; font-size: large; font-family: 'book antiqua', palatino;" lang="EN-GB"><span style="color: #666699;"><strong>L’espace urbain sur la scène</strong></span></span> </p><p class="MsoNormal" style="margin-bottom: .0001pt;"><span style="color: #000000; font-size: large; font-family: 'book antiqua', palatino;" lang="EN-GB">Rikard Schönström : The Enveloping Home. Envisioning the House in Strindberg’s Chamber Plays</span> </p><p class="MsoNormal" style="margin-bottom: .0001pt;"><span style="color: #000000; font-size: large; font-family: 'book antiqua', palatino;" lang="EN-GB">Jørgen Stender Clausen : Strindberg’s <em>The Ghost Sonata</em>. A Mumming Play</span></p><p class="MsoNormal" style="margin-bottom: .0001pt;"> </p><p class="MsoNormal" style="margin-bottom: .0001pt;"><span style="color: #000000; font-size: large; font-family: 'book antiqua', palatino;" lang="EN-GB"><span style="color: #666699;"><strong>Ville hétérotopique</strong></span></span></p><p class="MsoNormal" style="margin-bottom: .0001pt;"><span style="font-family: 'book antiqua', palatino; font-size: large; color: #000000;">Mickaëlle Cedergren : Le monastère ou le refuge hors ville. Une tentative de remasculinisation </span></p><p class="MsoNormal" style="margin-bottom: .0001pt;"><span style="color: #000000; font-size: large; font-family: 'book antiqua', palatino;" lang="EN-GB">Eszter Szalczer : The City as Stage</span></p><p class="MsoNormal" style="margin-bottom: .0001pt;"><span style="color: #000000; font-size: large; font-family: 'book antiqua', palatino;" lang="EN-GB">Maxime Abolgassemi : « Une ville vibre toujours » : circulation dans le Paris hétérotopique d’<em>Inferno</em></span></p><p class="MsoNormal" style="margin-bottom: .0001pt;"> </p><p class="MsoNormal" style="margin-bottom: .0001pt;"><span style="color: #000000; font-size: large; font-family: 'book antiqua', palatino;" lang="EN-GB"><span style="color: #666699;"><strong>Ville du présent, ville du passé</strong></span></span> </p><p class="MsoNormal" style="margin-bottom: .0001pt;"><span style="color: #000000; font-size: large; font-family: 'book antiqua', palatino;" lang="EN-GB">Annie Bourguignon : Stockholm dans <em>Götiska rummen</em> et <em>Svarta fanor</em></span></p><p class="MsoNormal" style="margin-bottom: .0001pt;"><span style="color: #000000; font-size: large; font-family: 'book antiqua', palatino;" lang="EN-GB">Antoine Guémy : <em>Gamla Stockholm</em> : le fantôme de la ville. Strindberg, ethnologue</span> </p><p class="MsoNormal" style="margin-bottom: .0001pt;"><span style="color: #000000; font-size: large; font-family: 'book antiqua', palatino;" lang="EN-GB"><span style="color: #666699;"><strong><br /></strong></span></span></p><p class="MsoNormal" style="margin-bottom: .0001pt;"><span style="color: #000000; font-size: large; font-family: 'book antiqua', palatino;" lang="EN-GB"><span style="color: #666699;"><strong>La ville fin-de-siècle</strong></span></span> </p><p class="MsoNormal" style="margin-bottom: .0001pt;"><span style="color: #000000; font-size: large; font-family: 'book antiqua', palatino;" lang="EN-GB">Henrik Johnsson : Strindberg and the Esoteric City</span></p><p class="MsoNormal" style="margin-bottom: .0001pt;"><span style="color: #000000; font-size: large; font-family: 'book antiqua', palatino;" lang="EN-GB">Cecilia Carlander : Milieux opposés : <em>Au bord de la vaste mer</em>, <em>Inferno</em> et l’imaginaire décadent</span><span style="font-family: 'book antiqua', palatino; font-size: large;"> </span></p><p class="MsoNormal" style="margin-bottom: .0001pt;"> </p><p class="MsoNormal" style="margin-bottom: .0001pt;"><span style="color: #000000; font-size: large; font-family: 'book antiqua', palatino;" lang="EN-GB"><span style="color: #666699;"><strong>La ville comme outil littéraire</strong></span></span> </p><p class="MsoNormal" style="margin-bottom: .0001pt;"><span style="font-size: large; font-family: 'book antiqua', palatino;" lang="EN-GB"><span style="color: #000000;">David Gedin : Constructs of Meaning: <em>Red Room</em>, <em>Inferno</em>, <em>Alone</em></span></span></p><p class="MsoNormal" style="margin-bottom: .0001pt;"> </p><p class="MsoNormal" style="margin-bottom: .0001pt;"> </p><p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center;"><span style="font-size: large; font-family: 'book antiqua', palatino;" lang="EN-GB"><span style="color: #666699;"><a href="http://www.deshima.fr/" target="_blank"><span style="color: #666699;">Commander la revue Deshima</span></a></span></span></p><p class="MsoNormal" style="margin-bottom: .0001pt;"><span style="font-size: 16pt;" lang="EN-GB"><!--EndFragment--> </span></p><p class="MsoNormal" style="margin-bottom: .0001pt;"> </p>
Xavier JASSU
http://lapinos.hautetfort.com/about.html
MON JOURNAL DE GUERRE
tag:lapinos.hautetfort.com,2008-08-15:1740793
2008-08-15T08:02:00+02:00
2008-08-15T08:02:00+02:00
En fait de "Sixième sens", il en manquerait plutôt un aux femmes. Mais...
<p><strong>En fait de "Sixième sens", il en manquerait plutôt un aux femmes. Mais lequel ? La vue ! Je me base sur Simone de Beauvoir pour dire ça.</strong></p> <p><strong>Il ne faut pas confondre la méfiance du communisme vis-à-vis du féminisme avec la mysoginie de crétins comme Schopenhauer, Strindberg, Nitche, Freud, Cioran, etc. L'archaïsme n'a pas de meilleur allié que la fausse modernité et <em>vice-versa</em>.</strong></p>
Xavier JASSU
http://lapinos.hautetfort.com/about.html
FRENCH ATTACKS
tag:lapinos.hautetfort.com,2008-08-15:1740813
2008-08-15T07:34:00+02:00
2008-08-15T07:34:00+02:00
ABOUT THE 'SIXTH SENSE' OF WOMEN: IT IS MORE REASONABLE TO SAY THEY HAVE...
<p>ABOUT THE 'SIXTH SENSE' OF WOMEN: IT IS MORE REASONABLE TO SAY THEY HAVE ONE LESS. BUT WHICH ONE? THE VIEW! I REST ON SIMONE DE BEAUVOIR.<br /> <br /> DON'T MIX COMMUNIST DISTRUST FACING FEMINISM WITH THE MISOGYNY OF IDIOTICS SUCH AS SCHOPENHAUER, FREUD, STRINDBERG, NITCHE, AND SO ONE... ARCHAISM HAS NOT BETTER ALLIED THAN FAKE MODERNITY.</p>
Le Sciapode
http://lepoignardsubtil.hautetfort.com/about.html
Figures éclatées
tag:lepoignardsubtil.hautetfort.com,2007-12-23:1377925
2007-12-23T14:35:02+01:00
2007-12-23T14:35:02+01:00
Trois figures en voie de démantèlement, voici ce que je...
<p align="justify"><strong> Trois figures en voie de démantèlement, voici ce que je propose à cette heure. Une, vue dans le hasard d'un frottage au blanc d'Espagne sur une vitre de magasin désaffecté à Valuéjols dans le Cantal en juillet dernier. La deuxième est la version noir et blanc d'un visage à la bouche vissée, éclaté dans la traînée de rouille d'une épave du petit cimetière de bateaux du port de Camaret, photo prise à l'été 2003. La troisième est le résultat d'un frottage à la mine de plomb effectué sur la poutre d'une vieille maison du Cézallier durant l'été 2004, le but étant de retrouver, par le détour de la technique inventée par Max Ernst, rien de moins que la "façon de créer de la nature", comme aurait dit mon ami Strindberg... C'est pourquoi je réunis ces trois images ici même...</strong></p> <div style="text-align: center"><a target="_blank" href="http://lepoignardsubtil.hautetfort.com/media/02/00/3374c77db74d806d127327c01c83b34f.jpg"><img name="media-735551" width="379" src="http://lepoignardsubtil.hautetfort.com/media/02/00/3374c77db74d806d127327c01c83b34f.jpg" alt="3374c77db74d806d127327c01c83b34f.jpg" height="435" style="margin: 0.7em 0px; border-width: 0px" title="Figure blême dans la nuit, frottage de hasard au blanc d'espagne, Valuéjols, photo Bruno Montpied, 2007" id="media-735551" /></a></div> <div style="text-align: center">Photo B.Montpied, Valuéjols, 2007</div> <div style="text-align: center"></div> <div style="text-align: center"> <div style="text-align: center"><a target="_blank" href="http://lepoignardsubtil.hautetfort.com/media/02/01/c88fa2eb5e848d69deeaf57f5c8577d7.jpg"><img name="media-735553" width="350" src="http://lepoignardsubtil.hautetfort.com/media/02/01/c88fa2eb5e848d69deeaf57f5c8577d7.jpg" alt="c88fa2eb5e848d69deeaf57f5c8577d7.jpg" height="487" style="margin: 0.7em 0px; width: 350px; height: 487px; border-width: 0px" title="Tête, cimetière d'épaves de Camaret, 2003, Photo Bruno Montpied" id="media-735553" /></a></div> <div style="text-align: center">Ph.B.Montpied, Camaret, 2003</div> <div style="text-align: center"></div> <div style="text-align: center"> <div style="text-align: center"><a target="_blank" href="http://lepoignardsubtil.hautetfort.com/media/02/01/8304a2b8ab2c5ab9a0f3a91ec5c0561c.jpg"><img name="media-735556" width="402" src="http://lepoignardsubtil.hautetfort.com/media/02/01/8304a2b8ab2c5ab9a0f3a91ec5c0561c.jpg" alt="8304a2b8ab2c5ab9a0f3a91ec5c0561c.jpg" height="386" style="margin: 0.7em 0px; width: 402px; height: 386px; border-width: 0px" title="Bruno Montpied, Dans le buisson d'épines, frottage, 2004" id="media-735556" /></a></div> <div style="text-align: center">Bruno Montpied, <em>Dans le buisson d'épines</em>, frottage à la mine de plomb, 2004</div> </div> <div style="text-align: center"></div> <div style="text-align: center"></div> </div> <div style="text-align: center"></div>