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<title>Last posts on jean-françois lyotard</title>
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<title>How French “Intellectuals” Ruined the West: Postmodernism and Its Impact, Explained</title>
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<updated>2017-08-25T11:45:55+02:00</updated>
<published>2017-08-25T11:45:55+02:00</published>
<summary>       How French “Intellectuals” Ruined the West: Postmodernism and Its...</summary>
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&lt;header class=&quot;entry-header&quot;&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;img id=&quot;media-5676921&quot; style=&quot;margin: 0.7em 0px;&quot; title=&quot;&quot; src=&quot;http://euro-synergies.hautetfort.com/media/01/00/3039462272.jpeg&quot; alt=&quot;Michel-Foucault_5159xx.jpeg&quot; /&gt;&lt;/p&gt;&lt;h2 class=&quot;entry-title&quot; style=&quot;outline: medium none;&quot;&gt;&lt;span style=&quot;font-size: 24pt; color: #ff6600; font-family: arial black,sans-serif;&quot;&gt;&lt;strong&gt;How French “Intellectuals” Ruined the West: Postmodernism and Its Impact, Explained&lt;/strong&gt;&lt;/span&gt;&lt;/h2&gt;&lt;div class=&quot;entry-meta&quot;&gt;&lt;span style=&quot;font-size: 18pt; color: #999999; font-family: arial black,sans-serif;&quot;&gt;&lt;strong&gt;&lt;time class=&quot;entry-date published&quot; datetime=&quot;2017-03-27T10:08:47+00:00&quot;&gt;&lt;/time&gt;&lt;span class=&quot;byline&quot;&gt;by &lt;span class=&quot;author vcard&quot;&gt;&lt;a class=&quot;url fn n&quot; style=&quot;color: #999999;&quot; href=&quot;https://areomagazine.com/author/hpluckrose/&quot;&gt;Helen Pluckrose&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;entry-meta&quot;&gt;&lt;span style=&quot;font-size: 12pt; color: #999999; font-family: arial black,sans-serif;&quot;&gt;&lt;strong&gt;&lt;span class=&quot;byline&quot;&gt;&lt;span class=&quot;author vcard&quot;&gt;&lt;span style=&quot;font-size: 18pt;&quot;&gt;Ex: https://aeromagazine.com&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;/header&gt;&lt;div class=&quot;row&quot;&gt;&lt;div class=&quot;col-md-9 no-sidebar&quot;&gt;&lt;div class=&quot;entry-content&quot; style=&quot;outline: medium none;&quot;&gt;&lt;p&gt;&lt;span style=&quot;font-size: 12pt; color: #999999;&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif;&quot;&gt;&lt;span class=&quot;dropcap&quot;&gt;P&lt;/span&gt;ostmodernism presents a threat not only to liberal democracy but to modernity itself. That may sound like a bold or even hyperbolic claim, but the reality is that the cluster of ideas and values at the root of postmodernism have broken the bounds of academia and gained great cultural power in western society. The irrational and identitarian “symptoms” of postmodernism are easily recognizable and much criticized, but the ethos underlying them is not well understood. This is partly because postmodernists rarely explain themselves clearly and partly because of the inherent contradictions and inconsistencies of a way of thought which denies a stable reality or reliable knowledge to exist. However, there are consistent ideas at the root of postmodernism and understanding them is essential if we intend to counter them. They underlie the problems we see today in Social Justice Activism, undermine the credibility of the Left and threaten to return us to an irrational and tribal “pre-modern” culture.&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: 12pt; color: #999999;&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif;&quot;&gt;Postmodernism, most simply, is an artistic and philosophical movement which began in France in the 1960s and produced bewildering art and even more bewildering &amp;nbsp;“theory.” It drew on avant-garde and surrealist art and earlier philosophical ideas, particularly those of Nietzsche and Heidegger, for its anti-realism and rejection of the concept of the unified and coherent individual. It reacted against the liberal humanism of the&amp;nbsp;modernist artistic and intellectual movements, which its proponents saw as naïvely universalizing a western, middle-class and male experience.&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: 12pt; color: #999999;&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif;&quot;&gt;It rejected philosophy which valued ethics, reason and clarity with the same accusation. Structuralism, a movement which (often over-confidently) attempted to analyze human culture and psychology according to consistent structures of relationships, came under attack. Marxism, with its understanding of society through class and economic structures was regarded as equally rigid and simplistic. Above all, postmodernists attacked science and its goal of attaining objective knowledge about a reality which exists independently of human perceptions which they saw as merely another form of constructed ideology dominated by bourgeois, western assumptions. Decidedly left-wing, postmodernism had both a nihilistic and a revolutionary ethos which resonated with a post-war, post-empire zeitgeist in the West. As postmodernism continued to develop and diversify, its initially stronger nihilistic deconstructive phase became secondary (but still fundamental) to its revolutionary “identity politics” phase.&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: 12pt; color: #999999;&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif;&quot;&gt;It has been a matter of contention whether postmodernism is a reaction against modernity&lt;em&gt;. &lt;/em&gt;The modern era is the period of history which saw Renaissance Humanism, the Enlightenment, the Scientific Revolution and the development of liberal values and human rights; the period when Western societies gradually came to value reason and science over faith and superstition as routes to knowledge, and developed a concept of the person as an individual member of the human race deserving of rights and freedoms rather than as part of various collectives subject to rigid hierarchical roles in society.&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;img id=&quot;media-5676922&quot; style=&quot;margin: 0.7em 0;&quot; title=&quot;&quot; src=&quot;http://euro-synergies.hautetfort.com/media/00/02/344431154.jpg&quot; alt=&quot;postmodernism-4-638.jpg&quot; /&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: 12pt; color: #999999;&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif;&quot;&gt;The &lt;em&gt;Encyclopaedia Britannica&lt;/em&gt; says postmodernism “is largely a reaction against the philosophical assumptions and values of the modern period of Western (specifically European) history” whilst the &lt;em&gt;Stanford Encyclopaedia of Philosophy&lt;/em&gt; denies this and says “Rather, its differences lie within modernity itself, and postmodernism is a continuation of modern thinking in another mode.” I’d suggest the difference lies in whether we see modernity in terms of what was produced or what was destroyed. If we see the essence of modernity as the development of science and reason as well as humanism and universal liberalism, postmodernists are opposed to it. If we see modernity as the tearing down of structures of power including feudalism, the Church, patriarchy, and Empire, postmodernists are attempting to continue it, but their targets are now science, reason, humanism and liberalism. Consequently, the roots of postmodernism are inherently political and revolutionary, albeit in a destructive or, as they would term it, de&lt;em&gt;con&lt;/em&gt;structive way.&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;img id=&quot;media-5676927&quot; style=&quot;margin: 0.7em 0;&quot; title=&quot;&quot; src=&quot;http://euro-synergies.hautetfort.com/media/00/00/2695551712.jpg&quot; alt=&quot;meta-narrative-3-638.jpg&quot; /&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: 12pt; color: #999999;&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif;&quot;&gt;The term “postmodern” was coined by Jean-François Lyotard in his 1979 book, &lt;em&gt;The Postmodern Condition. &lt;/em&gt;He defined the postmodern condition as “an incredulity towards metanarratives.” A metanarrative is a wide-ranging and cohesive explanation for large phenomena. Religions and other totalizing ideologies are metanarratives in their attempts to explain the meaning of life or all of society’s ills. Lyotard advocated replacing these with “mininarratives” to get at smaller and more personal “truths.” He addressed Christianity and Marxism in this way but also science.&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: 12pt; color: #999999;&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif;&quot;&gt;In his view, “there is a strict interlinkage between the kind of language called science and the kind called ethics and politics” (p8). By tying science and the knowledge it produces to government and power he rejects its claim to objectivity. Lyotard describes this incredulous postmodern condition as a general one, and argues that from the end of the 19&lt;sup&gt;th&lt;/sup&gt;&amp;nbsp;century, “an internal erosion of the legitimacy principle of knowledge” began to cause a change in the status of knowledge (p39). By the 1960s, the resulting “doubt” and “demoralization” of scientists had made “an impact on the central problem of legitimization” (p8). No number of scientists telling him they are not demoralized nor any more doubtful than befits the practitioners of a method whose results are always provisional and whose hypotheses are never “proven” could sway him from this.&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: 12pt; color: #999999;&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif;&quot;&gt;We see in Lyotard an explicit epistemic relativity (belief in personal or culturally specific truths or facts) and the advocacy of privileging &amp;nbsp;“lived experience” over empirical evidence. We see too the promotion of a version of pluralism which privileges the views of minority groups over the general consensus of scientists or liberal democratic ethics which are presented as authoritarian and dogmatic. This is consistent in postmodern thought.&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: 12pt; color: #999999;&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif;&quot;&gt;Michel Foucault’s work is also centered on language and relativism although he applied this to history and culture. He called this approach “archeology” because he saw himself as “uncovering” aspects of historical culture through recorded discourses (speech which promotes or assumes a particular view). For Foucault, discourses control what can be “known” and in different periods and places, different systems of institutional power control discourses. Therefore, knowledge is a direct product of power. “In any given culture and at any given moment, there is always only one ‘episteme’ that defines the conditions of possibility of all knowledge, whether expressed in theory or silently invested in a practice.”&lt;a style=&quot;color: #999999;&quot; href=&quot;https://areomagazine.com/2017/03/27/how-french-intellectuals-ruined-the-west-postmodernism-and-its-impact-explained/#_ftn1&quot; name=&quot;_ftnref1&quot;&gt;[1]&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;img id=&quot;media-5676929&quot; style=&quot;margin: 0.7em 0;&quot; title=&quot;&quot; src=&quot;http://euro-synergies.hautetfort.com/media/02/00/3954755375.jpg&quot; alt=&quot;ls-foucault.jpg&quot; /&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: 12pt; color: #999999;&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif;&quot;&gt;Furthermore, people themselves were culturally constructed. “The individual, with his identity and characteristics, is the product of a relation of power exercised over bodies, multiplicities, movements, desires, forces.”&lt;a style=&quot;color: #999999;&quot; href=&quot;https://areomagazine.com/2017/03/27/how-french-intellectuals-ruined-the-west-postmodernism-and-its-impact-explained/#_ftn2&quot; name=&quot;_ftnref2&quot;&gt;[2]&lt;/a&gt;&amp;nbsp; He leaves almost no room for individual agency or autonomy. As Christopher Butler says, Foucault “relies on beliefs about the inherent evil of the individual’s class position, or professional position, seen as ‘discourse’, regardless of the morality of his or her individual conduct.”&lt;a style=&quot;color: #999999;&quot; href=&quot;https://areomagazine.com/2017/03/27/how-french-intellectuals-ruined-the-west-postmodernism-and-its-impact-explained/#_ftn3&quot; name=&quot;_ftnref3&quot;&gt;[3]&lt;/a&gt; He presents medieval feudalism and modern liberal democracy as equally oppressive, and advocates criticizing and attacking institutions to unmask the “political violence that has always exercised itself obscurely through them.”&amp;nbsp;&lt;a style=&quot;color: #999999;&quot; href=&quot;https://areomagazine.com/2017/03/27/how-french-intellectuals-ruined-the-west-postmodernism-and-its-impact-explained/#_ftn4&quot; name=&quot;_ftnref4&quot;&gt;[4]&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: 12pt; color: #999999;&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif;&quot;&gt;We see in Foucault the most extreme expression of cultural relativity read through structures of power in which shared humanity and individuality are almost entirely absent. Instead, people are constructed by their position in relation to dominant cultural ideas either as oppressors or oppressed. Judith Butler drew on Foucault for her foundational role in queer theory focusing on the culturally constructed nature of gender, as did Edward Said in his similar role in post-colonialism and “Orientalism” and Kimberlé Crenshaw in her development of “intersectionality” and advocacy of identity politics. We see too the equation of language with violence and coercion and the equation of reason and universal liberalism with oppression.&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: 12pt; color: #999999;&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif;&quot;&gt;It was Jacques Derrida who introduced the concept of “deconstruction,” and he too argued for cultural constructivism and cultural and personal relativity. He focused even more explicitly on language. Derrida’s best-known pronouncement “There is no outside-text” relates to his rejection of the idea that words refer to anything straightforwardly. Rather, “there are only contexts without any center of absolute anchoring.”&amp;nbsp;&lt;a style=&quot;color: #999999;&quot; href=&quot;https://areomagazine.com/2017/03/27/how-french-intellectuals-ruined-the-west-postmodernism-and-its-impact-explained/#_ftn5&quot; name=&quot;_ftnref5&quot;&gt;[5]&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: 12pt; color: #999999;&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif;&quot;&gt;Therefore the author of a text is not the authority on its meaning. The reader or listener makes their own equally valid meaning and every text “engenders infinitely new contexts in an absolutely nonsaturable fashion.” Derrida coined the term&lt;em&gt;&amp;nbsp;différance &lt;/em&gt;which he derived from the verb “differer” which means both “to defer” and “to differ.” This was to indicate that not only is meaning never final but it is constructed by differences, specifically by oppositions. The word “young” only makes sense in its relationship with the word “old” and he argued, following Saussure, that meaning is constructed by the conflict of these elemental oppositions which, to him, always form a positive and negative. “Man” is positive and ‘woman’ negative. “Occident” is positive and “Orient” negative. He insisted that “We are not dealing with the peaceful co-existence of a vis-a-vis, but rather with a violent hierarchy. One of the two terms governs the other (axiologically, logically, etc.), or has the upper hand. To deconstruct the opposition, first of all, is to overturn the hierarchy at a given moment.”&lt;a style=&quot;color: #999999;&quot; href=&quot;https://areomagazine.com/2017/03/27/how-french-intellectuals-ruined-the-west-postmodernism-and-its-impact-explained/#_ftn6&quot; name=&quot;_ftnref6&quot;&gt;[6]&lt;/a&gt; Deconstruction, therefore, involves inverting these perceived hierarchies, making “woman” and “Orient” positive and “man” and “Occident” negative. This is to be done ironically to reveal the culturally constructed and arbitrary nature of these perceived oppositions in unequal conflict.&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;img id=&quot;media-5676933&quot; style=&quot;margin: 0.7em 0;&quot; title=&quot;&quot; src=&quot;http://euro-synergies.hautetfort.com/media/00/02/2787018881.jpg&quot; alt=&quot;jacquesjoker.jpg&quot; /&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: 12pt; color: #999999;&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif;&quot;&gt;We see in Derrida further relativity, both cultural and epistemic, and further justification for identity politics. There is an explicit denial that differences can be other than oppositional and therefore a rejection of Enlightenment liberalism’s values of overcoming differences and focusing on universal human rights and individual freedom and empowerment. We see here the basis of “ironic misandry” and the mantra “reverse racism isn’t real” and the idea that identity dictates what can be understood. We see too a rejection of the need for clarity in speech and argument and to understand the other’s point of view and avoid minterpretation. The intention of the speaker is irrelevant. What matters is the impact of speech. This, along with Foucauldian ideas, underlies the current belief in the deeply damaging nature of “microaggressions” and misuse of terminology related to gender, race or sexuality.&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: 12pt; color: #999999;&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif;&quot;&gt;Lyotard, Foucault, and Derrida are just three of the “founding fathers” of postmodernism but their ideas share common themes with other influential “theorists” and were taken up by later postmodernists who applied them to an increasingly diverse range of disciplines within the social sciences and humanities. We’ve seen that this includes an intense sensitivity to language on the level of the word and a feeling that what the speaker means is less important than how it is received, no matter how radical the interpretation. Shared humanity and individuality are essentially illusions and people are propagators or victims of discourses depending on their social position; a position which is dependent on identity far more than their individual engagement with society. Morality is culturally relative, as is reality itself. Empirical evidence is suspect and so are any culturally dominant ideas including science, reason, and universal liberalism. These are Enlightenment values which are naïve, totalizing and oppressive, and there is a moral necessity to smash them. Far more important is the lived experience, narratives and beliefs of “marginalized” groups all of which are equally “true” but must now be privileged over Enlightenment values to reverse an oppressive, unjust and entirely arbitrary social construction of reality, morality and knowledge.&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: 12pt; color: #999999;&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif;&quot;&gt;The desire to “smash” the status quo, challenge widely held values and institutions and champion the marginalized is absolutely liberal in ethos. Opposing it is resolutely conservative. This is the historical reality, but we are at a unique point in history where the status quo is fairly consistently liberal, with a liberalism that upholds the values of freedom, equal rights and opportunities for everyone regardless of gender, race and sexuality. The result is confusion in which life-long liberals wishing to conserve this kind of liberal status quo find themselves considered conservative and those wishing to avoid conservatism at all costs find themselves defending irrationalism and illiberalism. Whilst the first postmodernists mostly challenged discourse with discourse, the activists motivated by their ideas are becoming more authoritarian and following those ideas to their logical conclusion. Freedom of speech is under threat because speech is now dangerous. So dangerous that people considering themselves liberal can now justify responding to it with violence. The need to argue a case persuasively using reasoned argument is now often replaced with references to identity and pure rage.&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;text-align: center;&quot;&gt;&lt;img id=&quot;media-5676936&quot; style=&quot;margin: 0.7em 0;&quot; title=&quot;&quot; src=&quot;http://euro-synergies.hautetfort.com/media/01/01/3115753761.jpg&quot; alt=&quot;foucault-brick.jpg&quot; /&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: 12pt; color: #999999;&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif;&quot;&gt;Despite all the evidence that racism, sexism, homophobia, transphobia and xenophobia are at an all-time low in Western societies, Leftist academics and SocJus activists display a fatalistic pessimism, enabled by postmodern interpretative “reading” practices which valorize confirmation bias. The authoritarian power of the postmodern academics and activists s
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</entry>
<entry>
<author>
<name>WG</name>
<uri>http://www.guydarol.com/about.html</uri>
</author>
<title>EVERYTHING IS POLITICAL ❘ 9. LES NOUVEAUX ITINERAIRES</title>
<link rel="alternate" type="text/html" href="http://www.guydarol.com/archive/2007/08/20/everything-is-political-9-les-nouveaux-itineraires.html" />
<id>tag:www.guydarol.com,2009-08-16:1147736</id>
<updated>2009-08-16T06:00:00+02:00</updated>
<published>2009-08-16T06:00:00+02:00</published>
<summary>          Nous abordions l’étroite rue Visconti qui n’était pas encore livrée...</summary>
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&lt;div style=&quot;text-align: center;&quot;&gt;&lt;a href=&quot;http://www.guydarol.fr/media/00/02/30fe560a6720e2ac6f08721d26796890.jpg&quot; target=&quot;_blank&quot;&gt;&lt;img id=&quot;media-463796&quot; style=&quot;margin: 0.7em 0px; border-width: 0px;&quot; src=&quot;http://www.guydarol.fr/media/00/02/30fe560a6720e2ac6f08721d26796890.jpg&quot; alt=&quot;30fe560a6720e2ac6f08721d26796890.jpg&quot; name=&quot;media-463796&quot; /&gt;&lt;/a&gt;&lt;/div&gt; &lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;color: #008000;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;Nous abordions l’étroite rue Visconti qui n’était pas encore livrée aux boutiquiers d’art lorsque&lt;/span&gt; &lt;strong&gt;&lt;span style=&quot;color: #000000;&quot;&gt;Jean-Pierre Faye&lt;/span&gt;&lt;/strong&gt; &lt;span style=&quot;color: #000000;&quot;&gt;nous demanda le sens du titre que l’on avait choisi. Tout enragés que nous étions, il n’était pas facile de rétorquer au proche ami de&lt;/span&gt; &lt;strong&gt;&lt;span style=&quot;color: #000000;&quot;&gt;Gilles Deleuze&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;color: #000000;&quot;&gt;, à l’ennemi de&lt;/span&gt; &lt;strong&gt;&lt;span style=&quot;color: #000000;&quot;&gt;Philippe Sollers&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;color: #000000;&quot;&gt;. Surtout, on ne pouvait embrouiller l’auteur de&lt;/span&gt; &lt;em&gt;&lt;span style=&quot;color: #000000;&quot;&gt;Langages totalitaires*&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;color: #000000;&quot;&gt;, somme inégalée sur la sémantique politique du nazisme. Trait rapide entre les rues Bonaparte et de Seine, la voie que nous empruntions avait l’habitude des célébrités. Elle avait hébergé&lt;/span&gt; &lt;strong&gt;&lt;span style=&quot;color: #000000;&quot;&gt;Racine, Balzac, Prosper Mérimée&lt;/span&gt;&lt;/strong&gt; &lt;span style=&quot;color: #000000;&quot;&gt;et l’auteur de&lt;/span&gt; &lt;em&gt;&lt;span style=&quot;color: #000000;&quot;&gt;La société du spectacle&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;color: #000000;&quot;&gt;. Un poids semblait peser sur elle qui lui conférait un air de gravité, des manières anciennes. Comment le dire autrement&amp;nbsp;: la rue retenait son souffle, aux aguets de cette suite de mots qui viendraient blasonner ses façades. Il régnait un silence impeccable que nous n’allions pas tarder à gâcher.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;color: #008000;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;Les circonstances, aussi l’époque, appelaient un propos qualifié, minutieusement référencé. La cartographie se devait d’être exacte et les itinéraires hautement probables. Notre revue s’appelait&lt;/span&gt; &lt;em&gt;&lt;span style=&quot;color: #000000;&quot;&gt;Dérive&lt;/span&gt;&lt;/em&gt; &lt;span style=&quot;color: #000000;&quot;&gt;pour se démarquer des continents sévères qui surplombaient le monde des idées, à savoir&lt;/span&gt; &lt;strong&gt;&lt;span style=&quot;color: #000000;&quot;&gt;Marx&lt;/span&gt;&lt;/strong&gt; &lt;span style=&quot;color: #000000;&quot;&gt;et&lt;/span&gt; &lt;strong&gt;&lt;span style=&quot;color: #000000;&quot;&gt;Freud&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;color: #000000;&quot;&gt;. Et cela sentait comme une allusion discrète à&lt;/span&gt; &lt;strong&gt;&lt;span style=&quot;color: #000000;&quot;&gt;Jean-François Lyotard&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;color: #000000;&quot;&gt;** tandis que, manifestement, nous voulions faire sentir le musc de notre sympathie à&lt;/span&gt; &lt;strong&gt;&lt;span style=&quot;color: #000000;&quot;&gt;Guy Debord&lt;/span&gt;&lt;/strong&gt; &lt;span style=&quot;color: #000000;&quot;&gt;et&lt;/span&gt; &lt;strong&gt;&lt;span style=&quot;color: #000000;&quot;&gt;Raoul Vaneigem&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;color: #000000;&quot;&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;color: #008000;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;L’explication parut satisfaire Jean-Pierre Faye qui nous lança – mais sans doute était-ce pour rire – sur la piste de&lt;/span&gt; &lt;strong&gt;&lt;span style=&quot;color: #000000;&quot;&gt;Jacques Lacan&lt;/span&gt;&lt;/strong&gt; &lt;span style=&quot;color: #000000;&quot;&gt;qui s’était emparé du concept pour désigner le parcours en boucle de la pulsion. Cela ne nous rendait pas malheureux&lt;/span&gt; &lt;span style=&quot;color: #000000;&quot;&gt;que notre revue puisse suggérer, suivant le jeu de miroir des signes, Lacan et sa&lt;/span&gt; &lt;em&gt;&lt;span style=&quot;color: #000000;&quot;&gt;dérive de la jouissance&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;color: #000000;&quot;&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;color: #008000;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;Chacun de nous savait que&lt;/span&gt; &lt;em&gt;&lt;span style=&quot;color: #000000;&quot;&gt;Dérive&lt;/span&gt;&lt;/em&gt; &lt;span style=&quot;color: #000000;&quot;&gt;ne renvoyait à aucun des noms qui pointaient à l’université ou dans les cercles de la textuation. La plupart des figures qui trônaient au-dessus du temps – gens de pouvoir supposés subversifs – nous indifféraient comme les courses de chevaux,&lt;/span&gt; &lt;strong&gt;&lt;span style=&quot;color: #000000;&quot;&gt;Jean-Edern Hallier&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;color: #000000;&quot;&gt;, le roman y compris nouveau, la Rolls-Royce Corniche, le décès du cardinal Daniélou ou la fête des fraises à Bièvres. Ceux que nous préférions n’étaient et ne seront jamais admis au rata des puissants.&lt;/span&gt; &lt;strong&gt;&lt;span style=&quot;color: #000000;&quot;&gt;André Laude, Jacques Prevel, Francis Giauque, Bernard Réquichot, Stanislas Rodanski, Michel Vachey&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;color: #000000;&quot;&gt;, vous connaissez&amp;nbsp;? Ce sont&lt;/span&gt; &lt;em&gt;&lt;span style=&quot;color: #000000;&quot;&gt;amers&lt;/span&gt;&lt;/em&gt; &lt;span style=&quot;color: #000000;&quot;&gt;utiles pour les navigateurs des mers secouées. Camaros des incendies d’&lt;/span&gt;&lt;strong&gt;&lt;span style=&quot;color: #000000;&quot;&gt;Artaud&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;color: #000000;&quot;&gt;, ceux-là n’ont pas été repris. En fuite toujours. Et parfumés comme le fennec. Ils ne risquent pas d’être domptés par les bonnes gens de la lettre morte. Dérive est un&lt;/span&gt; &lt;em&gt;&lt;span style=&quot;color: #000000;&quot;&gt;mot clochard&lt;/span&gt;&lt;/em&gt; &lt;span style=&quot;color: #000000;&quot;&gt;(&lt;/span&gt;&lt;strong&gt;&lt;span style=&quot;color: #000000;&quot;&gt;Georges Perros&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;color: #000000;&quot;&gt;), on peut l’associer au pire. Ne parle-t-on pas de dérive libertaire, de dérive langagière&amp;nbsp;? À l’underground de l’underground officiel que représentait&lt;/span&gt; &lt;strong&gt;&lt;span style=&quot;color: #000000;&quot;&gt;Change&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;color: #000000;&quot;&gt;, la revue ne connut que les honneurs du&lt;/span&gt; &lt;strong&gt;&lt;span style=&quot;color: #000000;&quot;&gt;Monde&lt;/span&gt;&lt;/strong&gt; &lt;span style=&quot;color: #000000;&quot;&gt;et de ses notules. Désordre et incontrôlable, elle est contemporaine d’un moment&amp;nbsp;: le passage du cri au dit.&lt;/span&gt;&lt;/span&gt; &lt;span style=&quot;color: #000000;&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: #800000;&quot;&gt;Guy Darol&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;hr style=&quot;text-align: justify;&quot; size=&quot;1&quot; /&gt; &lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;color: #008000;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;* Jean-Pierre Faye,&lt;/span&gt; &lt;em&gt;&lt;span style=&quot;color: #000000;&quot;&gt;Langages totalitaires&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;color: #000000;&quot;&gt;, 1973.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;color: #008000;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;** Jean-François Lyotard,&lt;/span&gt; &lt;em&gt;&lt;span style=&quot;color: #000000;&quot;&gt;Dérive à partir de Marx et Freud&lt;/span&gt;&lt;/em&gt;&lt;span style=&quot;color: #000000;&quot;&gt;, 1973.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;&lt;/p&gt; 
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