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<title>Last posts on cahier louis-lumière</title>
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<name>Jérôme Schlomoff</name>
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<title>Parution du Cahier Louis-Lumière n°12</title>
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<summary>           &amp;nbsp;       Parution du Cahier Louis-Lumière n° 12 : Arts...</summary>
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&lt;p style=&quot;text-align: center;&quot;&gt;&lt;img id=&quot;media-6006146&quot; style=&quot;margin: 0.7em 0;&quot; title=&quot;&quot; src=&quot;http://schlomoff.hautetfort.com/media/01/00/1765193531.jpg&quot; alt=&quot;tin, La force poétique des images fragiles, construire une camschlomoff, Cahier Louis lumière, arts filmiques et expérimentations optiques contemporaines, nicole brenez, bidhan jacobs, pascal maréra&quot; /&gt;&lt;/p&gt;&lt;table class=&quot;rnb-columns-container&quot; style=&quot;border-collapse: collapse; border-spacing: 0px; caret-color: #000000; color: #000000; font-family: Verdana; font-size: 14px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none; margin: auto;&quot; border=&quot;0&quot; cellspacing=&quot;0&quot; cellpadding=&quot;0&quot; align=&quot;center&quot;&gt;&lt;tbody&gt;&lt;tr style=&quot;border-collapse: collapse;&quot;&gt;&lt;td class=&quot;rnb-force-col&quot; style=&quot;border-collapse: collapse;&quot; align=&quot;center&quot;&gt;&lt;table class=&quot;rnb-col-1&quot; style=&quot;border-collapse: collapse; border-spacing: 0px;&quot; border=&quot;0&quot; cellspacing=&quot;0&quot; cellpadding=&quot;0&quot; align=&quot;center&quot;&gt;&lt;tbody&gt;&lt;tr style=&quot;border-collapse: collapse;&quot;&gt;&lt;td style=&quot;border-collapse: collapse;&quot; height=&quot;10&quot;&gt;&amp;nbsp;&lt;/td&gt;&lt;/tr&gt;&lt;tr style=&quot;border-collapse: collapse;&quot;&gt;&lt;td style=&quot;border-collapse: collapse; font-family: Arial, Helvetica, sans-serif; color: #3c4858; text-align: center;&quot;&gt;&lt;span style=&quot;color: #ff0000;&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-size: 24px;&quot;&gt;Parution du Cahier Louis-Lumière n° 12 :&lt;br /&gt;Arts filmiques et expérimentations&lt;br /&gt;optiques contemporaines&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div style=&quot;caret-color: #3c4858; color: #3c4858; font-family: Arial, Helvetica, sans-serif, sans-serif; font-size: 14px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;&quot;&gt;&lt;strong&gt;Sous la direction scientifique de Nicole Brenez, Bidhan Jacobs et Pascal Martin&lt;/strong&gt;&lt;/div&gt;&lt;div style=&quot;caret-color: #3c4858; color: #3c4858; font-family: Arial, Helvetica, sans-serif, sans-serif; font-size: 14px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;&quot;&gt;&amp;nbsp;&lt;/div&gt;&lt;div style=&quot;caret-color: #3c4858; color: #3c4858; font-family: Arial, Helvetica, sans-serif, sans-serif; font-size: 14px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;&quot;&gt;Le questionnement concernant les expérimentations dans les arts filmiques contemporains nous a conduit à étudier quelques façons de penser et traiter les processus optiques, de la captation à la projection, autrement que selon les principes et normes de formation d’images habituels.&lt;/div&gt;&lt;div style=&quot;caret-color: #3c4858; color: #3c4858; font-family: Arial, Helvetica, sans-serif, sans-serif; font-size: 14px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;&quot;&gt;&amp;nbsp;&lt;/div&gt;&lt;div style=&quot;caret-color: #3c4858; color: #3c4858; font-family: Arial, Helvetica, sans-serif, sans-serif; font-size: 14px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;&quot;&gt;Le présent numéro, issu d’un colloque qui s’est tenu à l’ENS Louis-Lumière les 12 et 13 octobre 2017, propose des contributions à une histoire critique des technologies optiques articulée à une esthétique des arts filmiques. Celles, tout d’abord, qui mettent en évidence l’alternative qui consiste à « &lt;em&gt;Fabriquer ses outils&lt;/em&gt; », c’est-à-dire concevoir ceux qui manquent ou échappent au parc technologique actuel, en exploitant l’impensé d’une réflexion technique et scientifique utile aux industries ; se révèlent alors des liens passionnants entre plasticiens inventeurs de leurs propres outils et scientifiques forgeant des instruments.&lt;/div&gt;&lt;div style=&quot;caret-color: #3c4858; color: #3c4858; font-family: Arial, Helvetica, sans-serif, sans-serif; font-size: 14px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;&quot;&gt;&amp;nbsp;&lt;/div&gt;&lt;div style=&quot;caret-color: #3c4858; color: #3c4858; font-family: Arial, Helvetica, sans-serif, sans-serif; font-size: 14px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;&quot;&gt;Ensuite, un ensemble d’interventions d’artistes, techniciens et chercheurs étend la réflexion aux façons d’ « &lt;em&gt;Inventer des pratiques&lt;/em&gt; », autrement dit, à la question cruciale de l’appropriation des technologies vue depuis la création de gestes radicaux et d’agencements inédits de techniques.&lt;/div&gt;&lt;div style=&quot;caret-color: #3c4858; color: #3c4858; font-family: Arial, Helvetica, sans-serif, sans-serif; font-size: 14px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;&quot;&gt;&amp;nbsp;&lt;/div&gt;&lt;div style=&quot;caret-color: #3c4858; color: #3c4858; font-family: Arial, Helvetica, sans-serif, sans-serif; font-size: 14px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;&quot;&gt;Enfin, l’expérimentation est saisie plus particulièrement dans ses implications formelles et stylistiques, «&lt;em&gt; Fonder une esthétique&lt;/em&gt; », au sens où l’annexion d’outils, leur réagencement et l’invention de pratiques radicales et sensibles déterminent des plasticités et perceptions nouvelles. &lt;em&gt;(Présentation issue de l’éditorial de Nicole Brenez, Bidhan Jacobs, Pascal Martin)&lt;/em&gt;&lt;/div&gt;&lt;div style=&quot;caret-color: #3c4858; color: #3c4858; font-family: Arial, Helvetica, sans-serif, sans-serif; font-size: 14px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;&quot;&gt;&amp;nbsp;&lt;/div&gt;&lt;div style=&quot;caret-color: #3c4858; color: #3c4858; font-family: Arial, Helvetica, sans-serif, sans-serif; font-size: 14px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;&quot;&gt;&lt;em&gt;&lt;strong style=&quot;caret-color: #3c4858; color: #3c4858; font-family: Arial, Helvetica, sans-serif, sans-serif; font-size: 14px; font-style: normal; font-variant-caps: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;&quot;&gt;Sommaire&lt;/strong&gt;&lt;br style=&quot;caret-color: #3c4858; color: #3c4858; font-family: Arial, Helvetica, sans-serif, sans-serif; font-size: 14px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;&quot; /&gt;&lt;br style=&quot;caret-color: #3c4858; color: #3c4858; font-family: Arial, Helvetica, sans-serif, sans-serif; font-size: 14px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;&quot; /&gt;&lt;span style=&quot;caret-color: #3c4858; color: #3c4858; font-family: Arial, Helvetica, sans-serif, sans-serif; font-size: 14px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration: none; display: inline !important; float: none;&quot;&gt;Avant-propos / Vincent Lowy&lt;/span&gt;&lt;br style=&quot;caret-color: #3c4858; color: #3c4858; font-family: Arial, Helvetica, sans-serif, sans-serif; font-size: 14px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;&quot; /&gt;&lt;span style=&quot;caret-color: #3c4858; color: #3c4858; font-family: Arial, Helvetica, sans-serif, sans-serif; font-size: 14px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration: none; display: inline !important; float: none;&quot;&gt;Éditorial / Nicole Brenez, Bidhan Jacobs et Pascal Martin&lt;/span&gt;&lt;br style=&quot;caret-color: #3c4858; color: #3c4858; font-family: Arial, Helvetica, sans-serif, sans-serif; font-size: 14px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;&quot; /&gt;&lt;br style=&quot;caret-color: #3c4858; color: #3c4858; font-family: Arial, Helvetica, sans-serif, sans-serif; font-size: 14px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;&quot; /&gt;&lt;span style=&quot;caret-color: #3c4858; color: #3c4858; font-family: Arial, Helvetica, sans-serif, sans-serif; font-size: 14px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration: none; display: inline !important; float: none;&quot;&gt;I - Fabriquer ses outils&lt;/span&gt;&lt;br style=&quot;caret-color: #3c4858; color: #3c4858; font-family: Arial, Helvetica, sans-serif, sans-serif; font-size: 14px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;&quot; /&gt;&lt;span style=&quot;caret-color: #3c4858; color: #3c4858; font-family: Arial, Helvetica, sans-serif, sans-serif; font-size: 14px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration: none; display: inline !important; float: none;&quot;&gt;Archéologie optique : l'objectif au centre du débat / Pascal Martin&lt;/span&gt;&lt;br style=&quot;caret-color: #3c4858; color: #3c4858; font-family: Arial, Helvetica, sans-serif, sans-serif; font-size: 14px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;&quot; /&gt;&lt;span style=&quot;caret-color: #3c4858; color: #3c4858; font-family: Arial, Helvetica, sans-serif, sans-serif; font-size: 14px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration: none; display: inline !important; float: none;&quot;&gt;&quot;Le feu de la matière&quot; / Patrick Bokanowski&lt;/span&gt;&lt;br style=&quot;caret-color: #3c4858; color: #3c4858; font-family: Arial, Helvetica, sans-serif, sans-serif; font-size: 14px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;&quot; /&gt;&lt;strong&gt;&lt;span style=&quot;caret-color: #3c4858; color: #3c4858; font-family: Arial, Helvetica, sans-serif, sans-serif; font-size: 14px; font-style: normal; font-variant-caps: normal; letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -moz-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration: none; display: inline !important; float: none;&quot;&gt;La force poétique des images fragiles. Construire une caméra / Jérôme Schlomoff&lt;/span&gt;&lt;/strong&gt;&lt;br style=&quot;caret-color: #3c4858; color: #3c4858; font-family: Arial, Helvetica, sans-serif, sans-serif; font-size: 14px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;&quot; /&gt;&lt;span style=&quot;caret-color: #3c4858; color: #3c4858; font-family: Arial, Helvetica, sans-serif, sans-serif; font-size: 14px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration: none; display: inline !important; float: none;&quot;&gt;Corps-film et geste politique. Les enjeux de la fabrication de l'émulsion-maison / Monise Nicodemos&lt;/span&gt;&lt;br style=&quot;caret-color: #3c4858; color: #3c4858; font-family: Arial, Helvetica, sans-serif, sans-serif; font-size: 14px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;&quot; /&gt;&lt;br style=&quot;caret-color: #3c4858; color: #3c4858; font-family: Arial, Helvetica, sans-serif, sans-serif; font-size: 14px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;&quot; /&gt;&lt;span style=&quot;caret-color: #3c4858; color: #3c4858; font-family: Arial, Helvetica, sans-serif, sans-serif; font-size: 14px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration: none; display: inline !important; float: none;&quot;&gt;II - Inventer ses pratiques&lt;/span&gt;&lt;br style=&quot;caret-color: #3c4858; color: #3c4858; font-family: Arial, Helvetica, sans-serif, sans-serif; font-size: 14px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;&quot; /&gt;&lt;span style=&quot;caret-color: #3c4858; color: #3c4858; font-family: Arial, Helvetica, sans-serif, sans-serif; font-size: 14px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration: none; display: inline !important; float: none;&quot;&gt;Entretien avec Éponine Momenceau / Pascal Martin&lt;/span&gt;&lt;br style=&quot;caret-color: #3c4858; color: #3c4858; font-family: Arial, Helvetica, sans-serif, sans-serif; font-size: 14px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none;&quot; /&gt;&lt;span style=&quot;caret-color: #3c4858; color: #3c4858; font-family: Arial, Helvetica, sans-serif, sans-serif; font-size: 14px; font-style: normal; font-variant-caps: normal; font-weight: normal; letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration: none; display: inline !important; float: none;&quot;&gt;Vers l'œil intérieur. Esthétique et &quot;conjoncture technique&quot; / Frédéric 
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